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· more: MISC | 2004 | Flashbacks | Fair & Square Album |
By: Robert Newberger
opposite of old hot dog..lol One word describes it all.....PRICELESS!!..
My dad and I have been huge Prine fans for thirty plus years.. He reminds
me of Prine.. He did the Navy gig, along w/ the post office jockeying
mail.. He also plays the same style of guitar. The Library of Congress
event was amazing, because we felt like we got to know what John is all
about.... Looking forward to 6/18/2005 for the Warner theater concert(5
days after my dad'd birthday)... WOW!!!....06/18/2005 The setting was
perfect. A beautiful evening in D.C...80 degrees, a "Fair" day
at the Warner Theater "Square" and a packed house. The
opportunity to see John Prine twice in a three month timeframe in D.C.,
especially last night w/ his friends: Chip Taylor, Carrie Rodriguez, John
Platania, Dave Jacques, and Jason Wilber(an incredible diversified musical
wiz). The opening act featured Chip & Carrie w/ a supporting cast that
showcased some of the best talent I've seen in years. Especially w/
Carrie's magical presence onstage. She's definitely a "hotshot from
Austin, TX) and not the kind Prine referenced in one of his songs
"Some Humans Aint Human". Also Dave Jacques provided backup
support in the opening set. this showed no selfish feelings from Prine,
who allowed Dave to sit in w/ the opening act. Theor set got the audience
pumped up w/ "Angel in the Morning" & "Wild Thing"
(Both which Chip wrote) Then the big dance!!!: John Prine My dad and I
loved every minute of it. What a father's day present. Getting there was
interesting...We got the "roto-rooter" search when parking at
the Trade Center parking garage by security. My, have things changed since
9/11... Speaking of 9/11, "Flag Decal" was appropriate for the
opening memorable Prine set. "Fish and Whistle" and
"Grandpa" got the crowd excited to be here. Then Prine showcased
his voice in his new material in "Glory of True Love" and
"Taking a Walk". It was quite clear Prine's voice was in "Prine",
I mean prime form... His "Andel from Montgomery" didn't need
Bonnie that night. Then Prine dove back into some new material in
"Long Monday" and "Crazy as a Loon". After some
audience heckles of "Dear Abby" requests, Prine gave in with a
solo performance of "Dear Abby". His sense of humor provided a
wonderful version of "The Other Side of Town". Then of course,
you can't escape the classic "Sam Stone", which brought the
audience to their feet. One of the great highlights was one of his new
songs "Some Humans Aint Human", which Prine took advantage of
being two blocks from the White House and criticized the war in Iraq,
Ashcroft, and that "hotshot from Tx". Another standing ovation.
Then a personal favorite of mine.."Hello in There" : )..Then the
highlight of the evening! A jam session of "Lake Marie", which
really got the packed house reeling, when Prine broke a guitar string, and
never missed a beat. Prine was truly having fun!...Then came the always
encores, "Illegal Smile" and "Paradise" Paradise,
again showed Prine's unselfish manners onstage, when he invited Chip,
Carrie, and John back onstage. he let them sing and play while he stepped
back for a few and chimed back in.. Tickets for the show $140 Parking in
D.C. pain in the you know what This evening with my dad, Prine and
friends.....PRICELESS!!!!!!
By Richard Harrington - Washington Post Staff Writer
Saturday, June 18, 2005; Page C01
John Prine, Vox Populi
After Beating Cancer, A Poet's Poet Savors The Fanfare He's Given The
Common Man
http://www.washingtonpost.com/wp-dyn/content/article/2005/06/17/AR2005061701716.html?sub=AR
Prine at the Library of Congress in March. "John Prine has taken ordinary people and made monuments of them," Poet Laureate Ted Kooser said. |
After two years of service in Germany as an Army draftee, John Prine
came home in 1967 to a job as a letter carrier in Maywood, a working-class
suburb of Chicago. He started making up songs to amuse himself as he
walked his routes, but he didn't share them, even as he made the nighttime
rounds of Chicago's burgeoning folk-music circuit.
"At the end of 1970, I got up at an open-mike night at a club
called the Fifth Peg," Prine recalls. "It was the first time I'd
stepped on a stage."
Kentucky home town of that name, bulldozed into oblivion by a coal
company. They eventually became the three songs that, even today, are
probably Prine's best known.
Introducing Prine that night, Kooser compared him to Raymond
Carver, whose stories about "ordinary people elevated them to almost
heroic status. John Prine has taken ordinary people and made monuments of
them, treating them with great respect and love. . . . He is a truly
original writer, unequaled, and a genuine poet of the American
people."
Like Kooser, Prine is a cancer survivor. Late in 1997, a carcinoma
was found on the right side of Prine's neck. The surgery to remove it was
not a concern -- the growth wasn't near Prine's vocal cords -- but the six
weeks of radiation therapy that followed was. Prine, whose gruff,
sandpaper baritone was always an instrument of truth, not beauty, gets a
kick out of recalling the concerned radiologist who wanted to shield the
vocal cords during treatment -- until Prine asked, "Have you ever
heard me sing?"
"My voice lost its strength for about a year after everything
was over with," Prine recalls. "I could pick up a guitar and
talk, but I had no power to sing. Little by little it came back. When my
voice dropped, I had to drop the key considerably, to where I've got to
carry another guitar that's tuned down two steps. . . . I'm limited in my
chords!"
We had an apartment in the city,
Me and Loretta liked living there
Well, it'd been years since the kids had grown,
A life of their own,
Left us alone.
John and Linda live in Omaha
And Joe is somewhere on the road.
We lost Davy in the Korean War
And I still don't know what for
Don't matter anymore.
You know that old trees just grow stronger
And old rivers grow wilder ev'ry day.
Old people just grow lonesome
Waiting for someone to say,
"Hello in there, hello."
Kristofferson took Prine to New York, where he auditioned for
Atlantic Records and was signed within 24 hours. Prine's 1971 debut album
included the three songs he'd first gone public with as well as
"Illegal Smile," "Spanish Pipedream," "Your Flag
Decal Won't Get You Into Heaven Anymore," "Donald and
Lydia" and "Angel From Montgomery," about the desolation of
a dead-end marriage, told from a woman's point of view.
Cook, who co-wrote three songs on "Fair &
Square," says of Prine: "He's so happy now. If John's lyrics
lack anything these days, it's that he doesn't have that angst anymore.
He's not pleading his case against the bad and wicked world of things gone
wrong; he reflects life as he sees it, and his lyrics are happier
now."
For Prine, the greatest treat was lunch at a Chinese restaurant
with one of his heroes, Andy Griffith. Prine calls Griffith "the
consummate American. Like if Abraham Lincoln was alive and I saw him on
TV, he'd be Andy Griffith. You know, Will Rogers or the character Andy
Griffith plays on 'Mayberry' always appealed to me from the time I could
crawl -- the folksy sort. Back then, even Walter Brennan always appealed
to me. I'd known people in actual life who were like that. Except they
weren't like movie people, they also had huge flaws and I could see those,
too."
By:
prinefan
The show is posted in full at the NPR radio site: http://www.npr.org/templates/story/story.php?storyId=4583390
By: Robert Newberger opposite of old hot dog..lol
One word describes it all.....PRICELESS!!.. My dad and I have been huge
Prine fans for thirty plus years.. He reminds me of Prine.. He did the
Navy gig, along w/ the post office jockeying mail.. He also plays the same
style of guitar. The Library of Congress event was amazing, because we
felt like we got to know what John is all about.... Looking forward to
6/18/2005 for the Warner theater concert(5 days after my dad'd
birthday)...
By:
Capt. Holaway
I just got out of a poetry reading with Ted Kooser, and he is still stoked about his time with John Prine and the Library of Congress. And justly so.
By:
Suzanne
I am 16 years old, and my mom and I are HUGE John Prine fans! I skipped lacrosse practice to listen to the discussion at the Library of Congress, and it was great. Prine is so
intelligent and funny and I look to him for inspiration for writing in school. His songs are enduring too... I thought Flag Decal was written recently! haha I think I may be starting a whole new generation of Prine fans. Thank you John Prine for making me think and helping my mom and I get closer together.
(also your older son is pretty cute!)
By:
http://www.washingtonpost.com/wp-dyn/articles/A25619-2005Mar10.html
Lyrical Accounts
Mutual admiration society: U.S. Poet Laureate Ted Kooser and venerable singer-songwriter John Prine.
At the invitation of Kooser, who termed Prine
"an American master," the two scribes sat down for a 90-minute chat
about
writing Wednesday night at the Library of Congress's Coolidge
Auditorium,
reports The Post's Peter Kaufman.
Prine played half a dozen old
favorites
(including "Hello in There," "Sam Stone" and "Souvenirs"), gave some
glimpses into his lyric-crafting process (on his avoidance of grand,
sweeping declarations: "If you're looking for the big picture, you've
got to
get a really small frame sometimes") -- and, at one point, asked Kooser
to
read a poem.
The audience joined the lovefest, too, granting a standing ovation to
Prine -- and perhaps to Kooser as well, for his insightful and
simpatico
questions. But it was a query from the crowd that drew the evening's
sharpest response from Prine.
Asked whether there was "a role for
protest
music anymore," the singer shot back: "I'd say there's a full-time
job."
You were at home that night watching Dan Rather say adios? No problem
-- the
proceedings were recorded and can be heard beginning sometime next week
at http://www.loc.gov/today/cyberlc
.
By: Charlie S.
I feel very honored to have been one of about 350 people who attended the literary discussion with Ted Kooser and John Prine at the Coolidge Auditorium. I sat in the seventh row center stage and it was great being that close to John and to watch history in the making. John's wife and three boys sat directly in front of me in row six. As usual John was great. At one point he was asked if there is room in todays music for protest songs and his comment was " I think there is a full time job". I will remember this evening for a long time to come. Thanks John for many years of great songs. You are a true American Folk Hero!
By:
Erin M
Well I made it to the Library of Congress tonight for the conversation with Mr. Prine. He was introduced by Mr. Ted Kooser.(U.S. Poet Laureate) He looked very appreciative and humble up there on that stage. He talked a bit and answered questions posed to him. Many about specific songs, characters or feelings. It must have been a real challenge to get interviewed in front of an
audience like that. We were given the chance to ask questions (on an index card) and he answered many of them too. Didn't get to mine, though. (Who is Lucky LaRue?) He played songs too, between the talk. Near as I can remember:
Fish and Whistle, Souvenirs, Mexican Home, Flag Decal, Hello in There, and Sam Stone. I sat three rows behind his wife and kids. He introduced them and they all stood up for a moment. I knew who they were before that, though and I just felt so honored to be sharing this night with the whole Prine family and friends. It was a really neat thing to watch his son fidgeting and sliding all
around in his seat, looking up at the ceiling, towards the end. (because it was a long night for a kid!) John said he had to play Flag Decal for his boys or they would be falling asleep. When he got to "...and one on my wife's forehead" they all cracked
up. That was cool to see that and at the end, when he got a standing ovation, John was actually blushing.... Just makes you love him all the more. Like I said, I was so honored and thankful to have been there. I still can't believe it was free.
Free but priceless.
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