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California

Hanford, CA  Nov 3, 2001 
The Fox Theatre, w/Peter Case

By: Lynn Rank
    John Was Great!!! 1 encore and we were still all pounding on the stage for more......Great Bass Player and Mandolin, Slide Guitarist-regular Guitarist player. John is older but never old enough to stop.....looked rather pensive at the beginning but after the audience cheered him on and on, ah, shit by the end he was as happy as a lark, sure if he'd had the energy he would have come out again and again. Only Calistoga water and "Causo" juice to help the frog in his throat this time. No more cigarettes and whatever he was drinking a few years ago. Just great songs and a sadness for the loss of Steve Goodman. Yeah, feelings connected him to all us out there in the audience.......

By: RogLaurie
    I must admit, I was only semi looking forward to this event. my wife has been a JP fan for a long time (still has several LP's). I did not know much about John. However, I fell in love with the man and his music. WOW, what a show. I came home and listened to the old albums that night. I have to say, I like the style he used tonight. He admitted to having to lower his pitch because of throat problems. I'd love to have a CD with this style. I thought he said that he had a new CD out with this new style. I'd like to know if it is available. anyway, i am now a huge fan of John Prine. Great show!!

By: Gary
My son and I drove down from Sacramento and hooked up with two of my brothers in the small central California town of Hanford to hear John. We wondered how his voice had come out from the surgery. It's a bit lower, something he acknowledged from the stage, noting that he had to change the key to his songs to accommodate the lower pitch. I think his voice is better than before and wanted to tell him so, but he didn't invite us back stage, maybe he doesn't know who I am...who does? John is a real warrior. One of my brothers speculated that life has a way of sanding off the edges of a voice, allowing the raw truth out. John has always spoken the truth -- it just came through with a little more conviction this time. We were disappointed that "Flag Decal" wasn't in the set. Maybe that's not a P.C. song to sing these days, which is exactly why we wanted to hear it, of course. I remember at one point my brother, Brent, looked at me and said, "I think I'm gonna cry." I think it was when John launched into "That's the Way that the World Goes Round." Brent does great at our family reunions singing John Prine songs. He's a warrior too. I can't close without mentioning that the Fox Theater in Hanford is a nice piece of work. The people of that town should be proud of the way they restored it. Besides, they have a nice patio where they serve beer and wine and let people smoke too. After the show, I stood out front and listened to the people's comments as they left the theater - the reviews were good. John, live forever. Hanford seems to love you. So do I.

Anaheim, CA  Nov 11, 2002
Sun Theatre w/Ramblin Jack Elliot

By: JohnBoyTwo
A great show in a great venue. Seasoned observers could tell right from the start of the show that John Prine was struggling with his voice, a fact later verified by him saying that he'd been fighting a sore throat for seven weeks. But as a consummate pro, John reached deep down and worked through it, performing a solid two-hour set that included a series of five solo acoustic numbers. Jason Wilber again proved that youth will be served, performing excellent work on a variety of electric string instruments. Dave Jacques was solid on the upright bass and electric bass. One of the people with me that night, a solid musician in his own right and a fan of great guitar work, called the show "truly one of the best performances he'd ever seen.

By: Darin
   As a first time attendee of The Sun Theatre In Anaheim, I was impressed. Small enough with fine acoustics, dinner was served prior to the entertainment and, more importantly, COCKTAILS! Special guest Ramblin' Jack Elliot opened the evening with a few songs, not including the double-helping of "South Coast" to make light of the late-comers in the front row. A thoroughly fine set, and humorous stories that are a highlight of any of Jack's performances. Don't hesitate to see this legend before his time passes.
   Prine, came on stage sometime after 9:00, and played a solid 2 hour set. Although, he mentioned having a sore throat, it was barely detectable. Prine is a true entertainer. His songs are at once pearls of wisdom, wrapped up in a humorous crust, keeping the audience engaged and involved. My preference is always a performer that relies on his/her own talent, and not that of a band. This was the case this night, as Prine was accompanied by only two others. Both excellent in their own right, but in no way overpowering. Playing all the hits, with a great new tune thrown in for good measure, this was indeed another great performance by a great performer. Prime Prine, as always.

Humboldt State U. Van Duzer Theatre, Arcata, CA
September 10, 2001

By: emily barnes, eureka,ca
    This concert (which was extraordinary and exceptional) will always be burned in my mind, I think, in a special way. It was held in a theater on the campus of Humboldt State University in Arcata, CA--with a seating capacity, I believe of less than 800 seats. To say there are "no bad seats" is an understatement here, yet I believe, as I know many of you do, that there are never any "bad seats" at a John Prine concert. The concert was held at 8 pm, Monday Sept. 10. It ended 20 minutes before midnight, the night before the world changed as we know it. Within hours, we all watched and heard the tragedy unfold in New York and Washington, DC. I don't have a play-list to share with you but I can tell you it was something I'll never forget, for many reasons.
   
To be able to share John, a man I've loved and respected and followed for over 25 years with people who felt the same and showed it every moment---was such an honor and a privilege. To hear the familiar words in the voice I've heard for so long---singing like he wrote the song just for us---was a delight. To watch a man who has battled back from physical adversity yet seems younger and stronger than ever--was an inspiration. To hear the first chords of "Sam Stone" in an auditorium so quiet you could hear a pin drop--and to feel the bittersweet power of the bass as it came in half way through...still sends chills through me. To see John respond to the audience who stayed with him at every turn and did not want him to ever leave--made me proud.
   
If you can see John Prine in concert, take the opportunity to listen to one of the greatest storytellers of our time. Be prepared to sing, hum, laugh, cry, have memories flood your heart and mind. Be prepared for his strong stage presence and the feeling he is looking at you and singing to you. Be prepared to come to your feet after he walks off stage and show him you aren't ready to go home yet--that you need him to stay with you. He will...

 

Luther Burbank Center, Santa Rosa, CA
September 8, 2001 with Todd Snider

By: Lee Roy Lemieux
    Mr. Prine opened the show with Spanish Pipedream. Performed well, however the sound person had yet to adjust the levels as the bass was non-existent and the electric guitar was far too tiny. Once the levels were set, the show was absolutely amazing!!. Mr. Prine played many of the his classics including: Illegal Smile, Sam Stone, Please Don't Bury Me, Hello in There, Donald and Lydia, Souvenirs and Angel From Montgomery. John was in good spirits and seemed thoroughly enjoy himself. The mutual love between the artist and the fan was quite evident as every song was followed by mass applause and cheering. I felt lucky and honored to be able to witness one of America's greatest story tellers, song writers and all around good guy. I suggest to all, if Mr. Prine plays any where near your town...go! Personal highlight was a great version of "The sins of Mephisto" featuring some subtle but well placed mandolin. Another great performance was the melancholy "Souvenirs". Although Mr. Prine was battling a "Frog in his throat" that he caught at a show he played at a zoo earlier in the week....he was still in fine form. Mixed between tunes was the great humor of Mr. Prine as he told the stories behind the songs. The audience would erupt in unison laughter. The only portion of the show that I didn't particularly care for was when Mr. Prine went electric. It wasn't that the songs weren't good. Just that the Mr. Prine's guitar sounded terrible due to the "mix" and the muffled tone and back slap reverb. In addition, the other guitar had so much high end and tin that when he would solo the notes were piercing to the ear (as if at a metal show). Minor complaints. Mr. Prine's element is much better in the acoustic arena. The bass player (electric and stand-up) was excellent. The guitar player was exceptional as he played mandolin, harmonica and some mean slide guitar. Overall, a great show filled with emotional highs (Fish and Whistle) and somber lows (Hello in There). A John Prine show is worth every hard earned penny.

By: Scott Wilgus Reynolds

Todd Snider John Prine
Can't Complain 
Lonely Girl 
Just In Case 
DB Cooper 
Missing You 
Talkin' Seattle Grunge Blues
Alright Guy
Spanish Pipedream 
Spend the Night with me 
Souvenirs 
Fish & Whistle 
Grandpa was a Carpenter 
Far From Me 
All The Best 
Angel From Montgomery 
Christmas in Prison 
That's the way that the World Goes ' Round
Let's Talk Dirty in Hawaiian 
Other Side of Town 
Donald & Lydia 
In Spite of Ourselves 
Sam Stone 
Bear Creek 
Ain't Hurting Nobody 
Great Rain 
Sins of Memphisto 
Hello in There 
Please Don't Bury Me 
The Late John Garfield Blues 
Lake Marie 
Paradise ( with Todd Snider )

Todd's Set Comments: 
I got the feeling that most of the people in the audience had never seen Todd, but before the "How much have you got?" line in Can't Complain he had them in the palm of his hand. People were hanging on every word. I think Just In Case sold the most new CD's. Both the Bob Dylan and the Woody Guthrie Lines were used in Seattle. No mention of being from Santa Rosa? I thought we might get the new song "Class of '85". Standing in line for a beer after Todd's set, Spike squeezed between me and the guy in front of me. I said hey Spike how's it going, then Todd squeezed through stopped and shook my hand and said something like "Any friend of hers is a friend of mine." I told him I liked the set, but wished he had more time and that he would return to NoCAL more often. As a parting comment in the twenty second conversation I said "I like your hair cut" to which he replied "Thanks?!." with a confused look. I think he has been getting a lot of grief lately? I made it through the beer line and Todd made it over to sign some CD's. I wasn't about to fight the mob around him, but I worked my way up to Spike who was selling CD's as fast as she could pull them out of the box. I pointed to the wall behind her and asked "How much are the Todd T-Shirts?". She spun around expecting to see a Todd shirt, but only Prine was on the wall. She looked back at me and said "We don't have any T-Shirts" I said that's too bad.

John's Comments: 
John's voice was thrashed from playing a bunch of outdoor shows, but cleared up after a few songs. John is still talking about the movie that has not come out with him and Billy Bob Thornton and Andy Griffith. He said one day on the set he cornered Andy Griffith and made him sit down and listen to a song that he wrote because of Mayberry, Fish & Whistle. Other Side of Town is, new to me, a song about a man who can basically tune out his wife when she is bitching at him and in his mind be having a beer on the other side of town... John's version of In Spite of Ourselves without Iris Dement was hilarious. He held up a picture of her and sang her lines. John mentioned his brother was in attendance and played Muhlenberg County for him. It was great seeing Todd sharing both the stage and a microphone with John!
  Thanks.

By: Linda
Mountain Winery AND Luther Burbank Sept. 8t & 9th Yep, back to back Prine shows. What could be better? So, my Prine pal (another Prine freak as addicted as I am - who knew??) booked 4 months ahead. Had great seats and a great time. As always, John lights a stage as no one else can. David and Jason were their usual wonderful selves. And Todd......oh man, what a talent. It does my heart good to see someone with his heart and wit following in John's footsteps. "Just In Case" knocked me out. Had to buy the CD. It was dejavu all over again to see him out there signing CD's. I remember seeing John at the Coach House in SO CAL signing tapes about 15 years ago. Of course, I got my German Afternoons signed. Kinda glad he doesn't have to do that anymore but miss the personal contact. See you all at the next NO CAL Prine concert, if he's here I'm there!

John Prine, Todd Snider take folk across the generation gap at Burbank
September 11, 2001
By JOHN BECK THE PRESS DEMOCRAT
http://www.pressdemo.com/lifestyle/news/11prine.html
   
Side by side, John Prine and Todd Snider make an odd couple. If you saw them on the street -- Snider the gangly young folkie with the low-slung acoustic and the stoner daze, and Prine the squat weathered barfly packing a lifetime in a chain-smoker's gruff and a chipmunk's grin -- you might think Prine was his father or even grandfather.
   
But Saturday night at the Burbank Center they proved a perfect fit, swapping enough stories and anecdotes and jokes to bridge any generation gap.
   
And even though Iris DeMent couldn't be there, she was celebrated in spirit and image as Prine held up a photograph of her before singing both the male and female leads to "In Spite of Ourselves."
   
Telling the tales of a life hard-lived, Prine dedicated songs left and right: "Grandpa was a Carpenter" went out to his brother sitting in the audience. "Angel From Montgomery" was for Bonnie Raitt. And then "Far From Me" was for Kittie, "the first girl who broke my heart. ... I got three songs out of it. ... Later I got a divorce and got a whole album out of it."
   
Sporting a blond pompadour, Snider proved a worthy torch bearer, warming up the stage with an acid casualty sense of humor that had the crowd riffing on nearly every other verse. Signed to Prine's Oh Boy record label, the former Santa Rosa Junior College student sparked the most laughs with his pre-nup anthem "Just In Case" and his now-classic grunge parody "Talkin' Seattle."
   
One of few who could get away with rhyming "exactlioto" with "Quasimoto," Prine matched Snider's funnybone antics in the laugh-along "Let's Talk Dirty In Hawaiian." But what really proved his mastery of the form was a song list balancing humor with the mesmerizing depths of "Angel From Montgomery" and "Sam Stone."
   
The classic line "There's a hole in Daddy's arm where all the money goes, Jesus Christ died for nothing I suppose" left a haunting spell in the air.
   
Backed by David Jacques on stand-up bass and the very technical but still smooth Jason Wilbur on slide guitar and mandolin, Prine tried to nurture his scratchy vocals and Camel rasp with repeated swigs of tea and honey. It might have worked, had he started 30 years ago.
   
"We've been playing a few zoos lately; a frog must have jumped in my throat," Prine told the understanding crowd.
   
Swapping his acoustic for an electric guitar, the former mailman picked up the tempo and added a little distortion for the easygoing "Ain't Hurtin' Nobody" and "Sins of Memphisto."
   
The last time he played the Burbank, joining Emmylou Harris at the Concert for a Landmine-Free World two years ago, Prine seemed in a foggy haze at times. This time around he was on the mark all night, whether finger-picking and grinning, strumming hard or stomping a black snakeskin boot into the stage.
   
For the final encore Snider returned to the stage, crouching over the microphone and his mentor to sing harmony on "Paradise."

Saratoga, CA  Mountain Winery
09/07 w/Todd Snider

Date: Sept. 7th 2001
By: Jimmy Johnson
    It had been a warm and clear day when I got to the Winery at 4:30 pm and there was no line as I was the first one there and I was the first one in line for the gate to open at 5:30 and get my $10 dollar parking space. After Parking there was a walk down to the winery to get my $30 dolor general admission ticket at will call. I decided to make the best of the night so I went to the Château and paid $28 dollars for the Buffet Dinner, at any price the food was real good with Shrimp Etoufee, Chicken Jambalaya, Cajun Tri-Tip, Cajun Vegetables, Hoppin' John Corn Puddin, Crawfish Salad, Assorted Desserts and Coffee/Tea.

    I ate on a deck high above the Santa Clara Valley it was a view to die for with a table full of Prine Fan's, aw heck it's only money. Now it's about 7:00 and time to check out the Venue and find a seat, the Venue was in a bowl just below the Château with seating close in front and around the sides to the top of the bowl with no standing room. There was a small group with seats on the stage, I don't think I have seen that before the lucky few. I found a seat just in front and to the left of the mic's about 5 rows up and back so nothing was in my way.

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